In Susan Waterfall’s multi-media exploration of Franz Schubert’s life, you will learn how the Vienna of Mozart and Beethoven changed with an increasingly large, restricted and regimented urban middle class. Schubert’s potent settings of Romantic lyric poetry thrived in bourgeois settings where there was a growing need for personal emotional outlet. The inwardness and subjectivity …
Susan Waterfall will play Moments Musicaux and discuss the significance of Schubert’s “character pieces,” which, like lieder, suited the Romantic goals of intimacy and fantasy. Schubert’s exceptional ability to portray women in lieder will be demonstrated by soprano Julie Kierstine and pianist Daniel Lockert. The Octet, modeled on Beethoven’s popular Septet, is unusually outgoing, but …
The most domestic of all genres, the four-hand piano piece, attained its pinnacle with Schubert’s Fantasy in F minor, written in the last year of Schubert’s life. It will be performed by Julian Waterfall Pollack and Susan Waterfall. The String Quintet in C Major for quartet and an additional cello is a work of supreme …
Our inquiry into Schubert concludes with one of his most deeply felt orchestral works, the Symphony No. 8 in B minor (Unfinished); Richard Strauss’ Burleske in D minor for piano and orchestra features dazzling keyboard work; and Brahms’ Symphony No. 1 in C minor, Op. 68 closes the concert with “a grand melody in a …