Kim Nalley has pipes to burn, packing a 3½ octave range that can go from operatic to gritty blues on a dime, projection that can whisper a ballad yet is capable of filling a room with no microphone. She has been compared to all the greats, but in the end, it’s Kim Nalley and no one else—an unforced instrument with clarity and jazzy musicality, effortlessly delivered, and a sense of humor to boot.