The Masterclass returns with a once-a-month “open mic” concept. Class participants can bring in music to sing in front of class with a live pianist. Jenny and Daniel will provide feedback and suggestions in musicality, performance techniques, repertoire, and more. Classical, Musical Theater, and Standards are encouraged for this class. Previous masterclass students can bring in pieces previously assigned, or students can be assigned new pieces. Students must provide sheet music in the correct key for Daniel (the pianist). Auditors…
Learn more and get tickets »The Masterclass returns with a once-a-month “open mic” concept. Class participants can bring in music to sing in front of class with a live pianist. Jenny and Daniel will provide feedback and suggestions in musicality, performance techniques, repertoire, and more. Classical, Musical Theater, and Standards are encouraged for this class. Previous masterclass students can bring in pieces previously assigned, or students can be assigned new pieces. Students must provide sheet music in the correct key for Daniel (the pianist). Auditors…
Learn more and get tickets »The Masterclass returns with a once-a-month “open mic” concept. Class participants can bring in music to sing in front of class with a live pianist. Jenny and Daniel will provide feedback and suggestions in musicality, performance techniques, repertoire, and more. Classical, Musical Theater, and Standards are encouraged for this class. Previous masterclass students can bring in pieces previously assigned, or students can be assigned new pieces. Students must provide sheet music in the correct key for Daniel (the pianist). Auditors…
Learn more and get tickets »Shéhérazade, for orchestra and soprano, reflects the composer’s fascination with Schéhérazade, the heroine and narrator of The Arabian Nights. Ravel’s Daphnis et Chloé, Suite No. 2 begins with one of the most evocative sunrises ever described in music and ends in ecstatic reunion, all the while sighed and swooned over by the wordless chorus. In contrast to many somber and bombastic requiems, Gabriel Fauré’s is beautifully melodic, with a serene, peaceful outlook, full of solace and free from fear.
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