We’re Still Here! Virtual Big Band Night 2020
Zoom CyberspaceSaturday, July 18 is Big Band night! Allan Pollack, Kim Nalley, and the Festival Big Band rhythm section will all get together to talk about Jazz, pop, and the lives ...
Saturday, July 18 is Big Band night! Allan Pollack, Kim Nalley, and the Festival Big Band rhythm section will all get together to talk about Jazz, pop, and the lives ...
Saturday, July 25, is Closing Night. This night has traditionally featured a large choral work, so we have asked Jenny Matteucci and Daniel Lockert to join us to talk about ...
A one-time, free introduction to Lieder. What is German Lieder? Lieder is literally the German word for songs, though the term is usually used in reference to German songs of ...
Mondays, 10: AM-11:30 AM Pacific, September 14-November 2. Come join a small group of seasoned singers who want to hone their skills and become better at their craft. If you have sung in a local chorus, at church, at events, or even privately, this class will help you find better vocal technique and artistry, and will help you refine your voice and performance skills. (Choose AM or PM, not both.)
Mondays, 4:00 PM-5:30 PM Pacific, September 14-November 2. Come join a small group of seasoned singers who want to hone their skills and become better at their craft. If you have sung in a local chorus, at church, at events, or even privately, this class will help you find better vocal technique and artistry, and will help you refine your voice and performance skills. (Choose AM or PM, not both.)
Wednesdays, 10:00 AM-11:30 AM Pacific, September 16-November 4. A new option for Masterclass students; a course in German Lieder. Students will be assigned music by Mozart, Beethoven, Schubert, Schumann, Franz, Brahms, Wolf, Mahler and R. Strauss. The class will also cover German diction. Learn to love this beautiful art form and appreciate the marriage of poetry and masterfully composed music. Best for more advanced singers, or singers who have taken the Masterclass, and/or have had experience with the German language.
Wednesdays, 4:00-5:00 PM Pacific, September 16-November 4 (eight weeks). Unravel the mysteries of vocal technique with this course on the basics of singing. Cover everything from breathing, to resonance, to vocal health and more. Keep your voice in shape while sheltering in place, and learn some new skills to further your singing and build your voice. Good for beginners and seasoned veterans who want to brush up their skills.
Wednesdays, 4:00 PM-5:00 PM Pacific, September 16-November 4. For those who attended Beginning Sight-Singing or have some sight-singing experience. Daniel will enhance the class with tricks and hacks to make sight-singing easier. Sharpen your skills as sight readers and musicians. Class is progressive, so attendance is crucial. Don’t miss this chance to become more proficient at this basic skill. Prerequisite: Beginning Sight Singing (or permission of the teacher).
Wednesdays, 5:15 PM-6:15 PM Pacific, September 16-November 4. Can’t tell the difference between a B♭ and a flat tire? Have you sung in a choir for years and still don’t know what all the “hashtags” (#) mean? Let us unravel the not-so-secret code of good musicianship and sight-reading. We’ll help make your singing experience more enriching and fun by giving you the tools you need to not only help your whole choral experience but enlighten your musicianship skills as well. Each class will progressively cover different aspects of musicianship and sight-singing.
Pianist Spencer Myer has wowed, inspired and touched Festival audiences many times, and is a warm-hearted and engaging conversationalist. Live from his living room in New York, he’ll give you ...
How do composers choose their texts? What draws them to a particular poem, poet, or poetic theme? Most composers of art songs have a strong love of literature and keen ...
Treat your ears and eyes to an in-depth exploration of Debussy’s colorful and captivating Préludes for Piano, Book One, written in 1909-10. Susan Waterfall has assembled memorable historic and current ...
Hip. Imaginative. Fun. Fresh. Funky. Side Note is a group of seven twentysomethings, from wildly different musical backgrounds, who draw on their diversity to create an all-new sound. It's contemporary ...
This is the second part of Susan Waterfall’s opportunity to treat your ears and eyes to an in-depth exploration of Debussy’s colorful and captivating Préludes for Piano, Book One, written ...
Kim Nalley’s interesting view of American music and her relationship to it will be supplemented by her insights into what made some of the singers from the past so great. ...
Two-day workshop, Sat-Sun December 12-13, 1:00-2:30 PM PST. The International Phonetic Alphabet (IPA) is a set of symbols that linguists, singers and actors use to describe the sounds of spoken and sung languages. It will enable truer foreign language diction, as well as help with English diction. Understanding the IPA will help you learn how to pronounce with ease and understanding. Join Jenny and Daniel in a two-day workshop to enhance your singing, your foreign language accent or learn a new skill!
Two-day workshop, Sat-Sun January 16-17, 1:00-2:30 PM PST. Do you struggle with what to do with the words, your face, or your hands when you sing? Do you want to understand how to communicate better to an audience, to convey the meaning and depth or humor of your song? This two-day workshop will give you tools and help you work through your songs with deeper understanding. Bring a memorized musical theater song, aria (in any language), pop or art song to this class in acting styles for singers.
Rescheduled to January 22; originally scheduled for October 30. A discussion with baritone Christòpheren Nomura about his journey from the San Francisco Boys Choir to appearing on Broadway, and the ...
Mondays, 4:00 PM-5:30 PM Pacific, January 25-March 15. Join us as we explore the great legacy of American songs spanning the 1920s through the 1960s. Singers will be assigned music that will enhance their sense of style while working on vocal and performance technique; and perform their selections in front of the class in collaboration with Daniel, creating their own unique performance.
Wednesdays, 4:00 PM-5:00 PM Pacific, January 27-March 17. Sight-Singing continues from the fall session and is designed to help you sharpen your skills as sight readers and musicians. Daniel will also enhance the class with the tricks and hacks to make sight singing easier. Two equal sessions (same level) are offered to keep the classes intimate.
Fridays, February 26 and March 5, 12:00-1:15 PM PST. Are you longing for world travel? Do you need a bit of Belle Époque Paris? Maybe you’re curious about musical modernism? Susan Waterfall is back, with Book Two of Debussy’s Préludes for Piano, which will provide you with all of the above. Armchair travel is a necessity during the pandemic. Historic and current performances along with fascinating art and photographs will bring to life Debussy’s final twelve preludes, written before the outbreak of World War One. Here’s another opportunity for lifelong learners to find out more about Debussy and deepen their appreciation of these gems of the piano repertoire.
Jenny Matteucci and Daniel Lockert never fail to delight viewers with their lively, informative and fun interview style; drawing out the personality of the guest artist while creating an engaging ...
Mondays, 10:00 AM-11:30 AM Pacific, April 19-June 7. Learn to love this beautiful art form and appreciate the marriage of poetry and masterfully composed music. This session will delve deeper into the concept of the song cycle, as well as specific poets and themes.
Wednesdays, 4:00-5:30 PM Pacific, April 21-June 9. A class for those who want to learn to sight sing, or brush up their skills from previous classes. Learn the basics of sight singing and good musicianship and be ready when all our choirs and singing groups meet again. Class is progressive, so attendance is crucial.
Another of Susan Waterfall’s fascinating virtual presentations, this time about Kurt Weill. This gives you an opportunity to learn more before you attend the July 18 Weill concert in Cotton ...
A smash hit at past Festivals, four-time Grammy-nominated Pine Leaf Boys began as a group of friends getting kicked off the college campus for busking in Lafayette and have made ...
In the first classical concert, Maestro Allan Pollack will lead the string orchestra in Bach’s richly textured Brandenburg Concerto No. 3; Tchaikovsky’s Serenade for Strings in C Major, his clever ...
One of America's most eclectic immigrant composers is the incomparable Kurt Weill, with an array of music ranging from classical to Broadway. Join the Mattlock Duo (Jenny Matteucci and Daniel ...
Grammy-nominated guitarist Diego Figueiredo is a virtuoso with an infectious, joyful feeling that will leave you amazed. A brilliant musician who keeps the tradition of the true essence of Brazilian ...
An enthusiast of the "Progressive" or "Art Rock" genre, and a performer in a couple of "Prog Rock" bands in the late 70s, Stephen Prutsman has been drawn to create ...
Celebrating its 40th anniversary this year, the San Francisco-based Alexander String Quartet is widely admired for its interpretations of Mozart, Beethoven, and Shostakovich. The group will play the innovative Haydn ...
The Hattie & Joe Craven Show is a duo project celebrating the value of music making and artful living within, and shared by, families. The presentation features a show curated ...
The lively “Hoe-down” from Aaron Copland’s Rodeo will get this show on the road. Maestro Pollack will then lead the Festival String Orchestra in his own composition, Suite for My ...
Once a Leonard Cohen back-up singer, singer-songwriter Batalla launched her solo career with Cohen’s encouragement. The Grammy-nominated Batalla has recorded seven albums, written for both film and television, and toured ...
This year’s Big Band Night will feature the great Kim Nalley, singing the most popular tunes and arrangements that she has performed over the past number of years. There will ...
Eight Mondays, 10 AM-11:30 AM Pacific, October 4-November 22. Come join a small group of seasoned singers who want to hone their skills and become better at their craft. If you sing in a local chorus, at church, at events, or even privately, this class will help you find better vocal technique and artistry, and will help you refine your voice and performance skills.
Eight Mondays, 4:00-5:30 PM Pacific, October 4-November 22. Love musical theatre? Sing everything from songs of the early Golden Age to present-day musicals. Learn “monologuing,” a technique essential to creating a character and putting a song across.
Eight Tuesdays, 10:00-11:30 AM Pacific, October 5-November 23. Love to sing in French, or need to brush up your French? Explore songs for voice and piano from composers such as Berlioz, Fauré, Duparc, Hahn, Debussy and Poulenc, and perfect your singing pronunciation.
Join us for the virtual world premier of Susan Waterfall's Understanding Schubert—an 85-minute video biography, with art and portraits from Schubert’s era as well as 16 recorded musical excerpts, including ...
Eight Mondays, 4:00 PM-5:00 PM PST (except April 18; May 16 session is at 12:00 PM Pacific). Due to the popularity of the German lieder and French melodie classes, we have decided to expand the class to art songs of many languages. Singing beautiful songs in German, French, Italian, Spanish, and English (British and American), we’ll delve into the poetry and the composers, addressing diction, style and presentation, and collaboration between voice and piano.
Join us for the exciting premiere of Susan Waterfall’s new film The Life and Art of Claude Debussy. Immerse yourself in the composer’s world, and enhance your experience of the many Debussy offerings in this summer’s Festival: the Festival Orchestra’s Afternoon of a Faun, the Calder’s performance of the String Quartet, Spencer Myer’s Pour le Piano, and the two narrated chamber music concerts Breakfast with Chou-Chou and Sounds and Perfumes of Evening.
Maestro Allan Pollack will open the Festival with The Phoenix, his new composition that celebrates the victory of life over death and hope over despair. Yevgeny Kutik will solo in Prokofiev’s ethereal Violin Concerto No. 1. The concert will conclude with Beethoven’s rhythmic and lively Symphony No. 7.
Super-group Hills to Hollers (Barbara Higbie, Vicki Randle, Laurie Lewis) explores the rich history and intertwined roots of the African-American and white musical traditions of the American south. Vicki Randle, ...
Join Debussy at the breakfast table with his wife and beloved daughter, Chou-Chou, as his imagination is stirred by the toys in the nursery, the paintings on the wall, and fantasies of sunlit ancient Greece. Susan Waterfall will play the “Children’s Corner” suite, Eric Kritz will join her on the Rhapsody for Clarinet and Piano, and Daniel Lockert will team up with her on Six Épigraphes Antiques. Two sonatas will round out the petit-déjeuner: the darkly humorous Sonata for Cello and Piano, and the magical Sonata for Flute, Harp and Viola.
Bay Area vocal band Business Casual explores a wide range of genres including pop, jazz, soul, folk and swing to produce fresh a cappella versions of vintage chart toppers, today's ...
Audience favorite Spencer Myer returns to play Beethoven Sonata No. 27, Op. 90; Debussy’s Pour le Piano; and Chopin’s “The Four Impromptus.” Two pieces from Enrique Granados’ Goyescas suite—inspired by ...
Audience favorite Spencer Myer returns to play Beethoven Sonata No. 27, Op. 90; Debussy’s Pour le Piano; and Chopin’s “The Four Impromptus.” Two pieces from Enrique Granados’ Goyescas suite—inspired by ...
Created by Cara Butler and Jon and Nathan Pilatzke (longtime touring members of The Chieftains), The StepCrew combines Irish, Tap and Ottawa Valley Step dancing, music, and song. The virtuosic ...
Debussy’s symphonic poem, Prelude to the Afternoon of a Faun, will take us into Debussy’s charming orchestral music. The mood will change with Mozart’s first orchestral masterpiece, Symphony No. 29. Jennifer Cho and Jonah Kim will be featured in Brahms’ last work for orchestra, the Concerto for Violin and Cello.